
Tirzah Garwood (1908 – 1951), Springtime of Flight, 1950 Kettle’s Yard’s latest exhibition, Handpicked: Painting the Flowers, opens with what is perhaps its most famous artwork: Henri Rousseau’s ‘Bouquet of Flowers’ (1909-10). At first glance, the painting appears to be a straightforward depiction of its subject matter – a white vase holds flat green leaves,…

Carmen Vintro on Art Loan Schemes and acts of looking, in Cambridge and beyond.

Idil Tekin discusses the Cambridge for Palestine encampment, and the question of cultural solidarity from Kettle’s Yard to King’s Parade.

As Making New Worlds comes to an end at Kettle’s Yard, Rachel Rees speaks to one of the co-curators about friendship as artistic practice, art in the North, and the exhibition’s future.